Adam King explores landscape and the pastoral through two and three dimensional collages. His work reveals post-apocalyptic terrains pieced together from the collected imagery of an urban consumer culture. Historical landscape painting and surrealism meet with B-movie film sets in free-standing sculptures and collages that speak of a modern construction ethos – easily put together and easily pulled apart.

Together they form a theatrical tableau of the unlovely and the unloved, a disturbing and often comic reflection on our fixation with all things fashionable.